Dig deep into the origin story of Black gospel music, coming out of slavery, blending with the blues tradition, and soaring to new heights during the Great Migration. From Mahalia to Kirk Franklin, in the last century, gospel music has become the dominant form of African American religious expression and provided a soundtrack of healing and uplift to those at the front lines of protest and change.

Henry Louis Gates, Jr.
Self

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GOSPEL’s hour 1 takes the gospel train north to Chicago, where southern migrants Thomas A. Dorsey, Mahalia Jackson and Sister Rosetta Tharpe blended the melodic sounds and instrumentation of blues and jazz with lyrics about God’s goodness. Like the blues, gospel would become a commodity, but one built by Black-owned publishing companies like Martin and Morris and sustained by Black audiences.
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GOSPEL’s hour 1 takes the gospel train north to Chicago, where southern migrants Thomas A. Dorsey, Mahalia Jackson and Sister Rosetta Tharpe blended the melodic sounds and instrumentation of blues and jazz with lyrics about God’s goodness. Like the blues, gospel would become a commodity, but one built by Black-owned publishing companies like Martin and Morris and sustained by Black audiences.