The Comedy Lineup (2018 - 2018)

He once worked for Netflix, but now Ian Karmel is on stage with self-deprecating takes on his appearance, being an uncle, social media and more.

Self-described "old soul" Taylor Tomlinson laments the frustrations of her 20s, the changing definition of "candid" and the perils of being a woman.

Sam Jay puts her unique spin on male confidence, white guys' "cries for help," Trump's Twitter tirades and the thrill of taking Uber.

English comic Phil Wang riffs on his Chinese heritage, the absurdity of scary movies, feeling old in his late 20s and more.

Sabrina Jalees reflects on the experience of coming out to her Pakistani family and breaks down the full spectrum of feminism and sexuality.

After describing the most stressful flight of his life, Jak Knight delivers insights on birth control, the internet and relating to older generations.

Former New York double-decker bus tour guide Tim Dillon breaks down the three classes of people on Instagram and the joys of finding a new TV show.

Aspiring survivalist Janelle James unpacks the thrills of relationship turmoil and the complex absurdity of white family holiday cards.

Part stand-up, part spontaneous singer, Matteo Lane riffs on gay romance in the digital age and his casual obsession with Lindsay Lohan.

Irish comic Aisling Bea is a self-proclaimed "Yankophile" -- and details her lifelong fascination with American phraseology and "sport parties."

Fresh from an uncomfortable elevator encounter, Josh Johnson gets real about rich people, millennial ghosts and his uncle's unorthodox wisdom.

Small-town native Emma Willmann candidly revisits her humble beginnings and early sexual awakenings, one awkward mom story at a time.

From group exercise to female friendship, self-described "straight white dude" Max Silvestri explores some of life's most peculiar mysteries.

Armed with an acoustic guitar, musical comic JR De Guzman leads a series of groovy jams on racism, babies and beloved grandmothers.

Post-breakup Kate Willett shares her honest take on immature men and the perils of modern romance -- or something vaguely like it.