The Great Masters of Painting (2017 - 2017)

Monet is recognized as one of the creators of Impressionism, the leader of the movement, the most convinced and the most consistent of its members. He first excelled as a caricaturist, then at 18 years old met his mentor: the painter Eugène Boudin, who encouraged him to paint outdoors. The critics greeted his debut at the 1865 Salon, but the following World's Fairs and exhibitions systematically refused his works. In 1890, he bought his house in Giverny where he would spend nearly forty-three years, producing some of his most famous works and the famous Water Lilies series. He gradually lost his sight, but never stopped painting.

French painter, Eugène Delacroix is a major figure of romanticism in painting. Although he found support from the press, art magazines and certain critics of the time (Théophile Gautier or Charles Baudelaire), his genius was only belatedly recognized by official painting circles. He would not triumph until 1855 at the Universal Exhibition where he became the one who knew how to go beyond classical training to renew painting. He was not elected to the Institut de France until January 10, 1857, after seven unsuccessful candidates, Ingres always opposing his election.

Rembrandt Harmenszoon van Rijn was born at the beginning of the 17th century into a family of the established middle class. At the age of 18, he became an independent master and opened his own studio. He treated mainly religious themes and explored the Bible. In his perpetual quest for the intimacy and truth of the human being, Rembrandt established a new way of painting. Painting, as a reflection of the inner life of the artist, agitated by emotions, doubts and contradictions. The painting which tells the artist with the catches with the creation... He left the world a universally admired and recognized work.

If Degas, painter, engraver, sculptor, photographer and collector, is attached to the great movement of the Impressionists, he only finds his place in it in the name of the freedom to paint advocated by the group. Although he was the most ardent instigator of the Impressionist exhibitions (1874-1886), he was never able to conform either to this movement or to others, thus choosing his own artistic path. He was one of the first artists to devote himself to scenes of contemporary life, thus escaping the discomfort created by the conformism of the time, freeing his works from the social and narrative obligations of his time

Episode details not available.

During his adolescence, Henri de Toulouse-Lautrec suddenly stopped growing because of a bone disease and two falls from a horse that left him deformed. He then began to paint and draw and moved to Paris in 1882 to perfect his knowledge of art. He immersed himself in impressionism and became friends with Edgar Degas and Vincent Van Gogh. He frequented cabarets, notably the Moulin Rouge, and immortalized them in his paintings as well as on his posters (Moulin rouge, La Goulue, 1891). He also painted theaters, cafés-concerts and brothels (Au salon de la rue des Moulins, 1894) whose characters he captured on the spot. He became an emblematic figure of Parisian nights. Alcoholism and syphilis put an end to his fragile health in 1901, when he became paralyzed. He died on September 9 of the same year.

A full member of the Impressionist group, Pierre Auguste Renoir evolved in the 1880s towards a more realistic style under the influence of Raphael.